ARS110 Introduction to Creative and Research Activities

 

Instructors:

Adele Baruch-Runyon, Human Resource Development, 400A Bailey Hall, Gorham,

Phone: 780-5317, abaruch@usm.maine.edu

Dave Champlin, Biological Sciences, 305B Science Bldg, Portland,

Phone: 228-8349, champlin@maine.edu

Helen Gorgas Goulding, Student and University Life, 100 Payson Smith, Portland,

Phone: 780-4629, gorgas@usm.maine.edu

Lliam Harrison, Research Compliance and Honors Program, 178 Science Bldg., Portland,

Phone: 780-4684, wharrison@usm.maine.edu

 

Class meets:

Every other Wednesday from 4:10 – 5:25 PM Portland campus.  Room 310 Luther-Bonney but meeting locations will vary.

Readings:

The readings should be completed before class meets.  All the readings for the class are available through electronic reserve at the library.  A description of how to access electronic reserves is at the end of this syllabus.  The full citations from which the readings are taken are also listed at the end of the syllabus. 

Website:

The course website has descriptive links to a variety of web resources and additional links identified by course participants will be added throughout the semester.

http://www.usm.maine.edu/~champlin/ICARA/homepage.htm

 

Learning Outcomes for our course:

   For connecting to USM, students will:

  1. Learn from other undergraduates successful strategies for

    connecting with faculty and peers.

  2. Learn about formal and informal student supports at USM.

  3. Learn listening, communication, and interviewing skills in the

    context of small group support.

  4. Experience support for their interests and nascent projects within

    a learning community.

  5. Develop an increased awareness of personal and academic strengths.

   In relation to developing projects, students will:

  1. Learn about undergraduate, graduate, and faculty projects.

    Interview potential mentors on campus or in the community who could

    support a developing project proposal.

  2. Participate in a general overview of project planning, and

    understand there are a range of methodological approaches.  Gain

    library and archival research skills.

  3. Gain a basic understanding of the ethics associated with their

    project.  Discover avenues for continued project support.

  4. Create a project proposal of personal interest that

    will hopefully develop into an abiding college project.

 

 

Basis for your Final Grade:

 

1) Final Project = 25% class presentation Dec. 9th, hand in final project by Dec. 14th.

The central goal of our course is to gain experience advancing a specific, independent project as an important element of a valuable college education.  We hope this course will be the beginning of activities that will continue throughout college and so the work wonŐt be completed by the end of the semester. To demonstrate the steps you have made during the semester in advancing your own topic, each student will organize a final project.  Because of the diversity of interests, the final project for each person will likely be quite unique.  In addition to class presentation and discussions, the final project will include a four-page paper written like a grant proposal seeking future support of the project within the discipline.  Each project proposal will include an Introduction, a Needs Assessment, Project Objectives, a Methods section, and an Evaluation Section.

2) Personal Journal = 25%  Due by Dec. 2nd, but you are encouraged to share and discuss your journals with us before the due date.

This assignment emphasizes that it is critical to maintain an ongoing, well-organized record of your ideas, questions, contacts, pathways, and discoveries. Your thoughts and ideas will form part of the journal.  Your actions will form the rest of it.  Keep track of who you meet, when, and where those meetings take you – whether to a book, journal, web site, location, or person.  If you rely on a text, itŐs important to include the full citation, in whatever is the appropriate citation style for your discipline.  Your journal is also somewhat like a diary. It also becomes a history of your project and it must be organized to become a valuable reference for you in the future.  Perhaps this might be something that carries you through graduate school and beyond.  The journal should also include an accounting of how you think you can go about carrying out your project.  Who do you need to turn to for help?  What resources do you need?  Is this a short-term exercise for you?

3) Mentor Interviews = 25% interview transcripts due on Dec. 2nd and class presentation.

Throughout the course, it is anticipated each student will meet several faculty, staff, advanced students, and record the notes in their journal.  A minimum of two interactions with faculty or staff should be set up to be fairly formal ŇinterviewsÓ in which you learn about a faculty or staff memberŐs unique experiences during the development of their career.  These interviews are intended to help in identifying appropriate mentors for future activities and will be the focus of discussion during class on Dec. 2nd.

Please transcribe ten of the most critical minutes of the interview as faithfully as possible.  You can achieve this through tape recording the interview or by taking notes immediately after the interviews.  You will be asked to add an ŇobserverŐs commentsÓ section to the interviews, containing observations, comments, and reflections.

4) Class Participation = 25%  This includes class meetings as well as activities between classes.  Early in the course, it is hoped everyone will become comfortable sharing their experiences during class meetings as well as between classes via email.  Each class meeting will include activities designed to facilitate the building of community within the class as well as share ongoing experiences.

 

 

 

 

One excellent resource at USM that you should know about is the Office of Academic Support for Students with Disabilities. If you need course adaptations or accommodations because of a disability, please contact the OSSD Office:

Room 242 Luther Bonney Hall, 780-4706 Voice Phone, email:

oassd@usm.maine.edu  web site: www.usm.maine.edu/oassd

 

 

Our course is designed to be a community-building experience in which first-year college students are encouraged to identify and further explore a special interest, passion, or area of expertise. A central goal of the course is to launch each student on a path toward a specific, future presentation at a conference such as Thinking Matters. Assignments will take each of us on journeys out into the campus environment and the Southern Maine community to discover the wide range of resources available to college students.  The course emphasizes the significance of these networking experiences, including working with mentors, for creating a college education of value.  We will also emphasize the role of resources and opportunities beyond the classroom for establishing and pursuing career goals during college.

 

First Meeting, Wednesday, Sept. 2nd:

I. Introduction

     -- names/dyads

II. Overview of the course syllabus and Introduction to Creative/Scientific/Qualitative investigation

*Assignment: Please schedule to meet with your course advisor before Sept. 16th.

 

Wednesday, Sept. 9th: 

Class will be an informal opportunity for sharing our interests and get to know each other.  We will meet in the Community Service & Civic Engagement House.  This is the white, farm house in the middle of the Portland campus (next to Payson Smith Hall) – just walk right in.

 

Wednesday, Sept. 16th:

*Assignment reminder:  Please meet with your course advisor before today.

 I. Panel of students to discuss challenges and successes

 II. imagery/ art activity

Please read before class:  The BeginnerŐs Mind (on reserve), Watts: pp. 2-4 & pp. 125-128(Ways of Knowing), pp. 189-200(Research)

 

Wednesday, Sept. 30th:

We will meet in the Glickman Library, Portland campus.  Please come to the Special Collections area on the sixth floor.

I. Library Resources (Librarian, Archival resources)

II. Ethics

III. The interviewing process

Please read before class:  Interviews pp. 3-10(on reserve), Watts pp. 147-159(information and Knowledge)

 

Wednesday, Oct. 14th: 

I. Panel of faculty and staff

II. Brief practice dyadic interviews with faculty and staff

Please read before class:  Interviews pp. 27-36(on reserve),

Begin to set up interview appointments

 

Wednesday, Oct. 28th: 

I. Listening and Observational activities(sand trays)

II. Ongoing discussion of projects

Please read before class:  The Gift(on reserve), Manifesto for a New Medicine(on reserve)

 

Wednesday, Nov. 18th: 

I. Group discussion and feedback, in relation to the interview process (on campus & in community)

II. Guest facilitators: IRB, Scholarships and other funding possibilities, grant-writing

Please read before class:  Watts pp. 217-222 (Beyond The Classroom)

 

Wednesday, Dec. 2th: 

I. Presentation of Interview (6-7 min. per student)

II. Discussion of proposal development

*Assignment:  Interview Transcripts due and Journals due

             

Wednesday, Dec. 9th:

We will hope to meet on the Gorham campus.

I. Presentations of proposals (8-9 min. per student)

II. Closing exercise - strategies for ongoing connection and support (plan informal gathering?)

*Assignment:  Incorporate class feedback on presentation into final project

 

By Dec. 14th:  Hand in Final Project

 

To access all the course readings through electronic reserve:

0. Go to the USM Libraries page: http://library.usm.maine.edu/index.php

1.  On the right side, under Quicklinks, select Electronic Reserves:  http://docutek.ursus.maine.edu

2.  Click on:  Electronic Reserves & Reserves Pages

3.  Type in the Course Number in the search field and click Search.

4.  Click on the Course Number on the left hand side of the screen.

5.  Enter the password for your course: szs8ukdk        Click the Accept button.

 

References for the reading assignments:

J.S. Gordon (1996). Manifesto for a New Medicine. New York: Addison-Wesley (pp 199-217).

Lewis Hyde (2007) The Gift: Creativity and the Artist in the Modern World.  New York: Vintage Books.

Steinar Kvale (1996) InterViews: An Introduction to Qualitative Research Interviewing.  Thousand Oaks, CA: SAGE Publications.

Chris Gillen (2009). BeginnerŐs Mind Over Matter.  Kenyon College Alumni Bulletin.